Showing posts with label wonderfall girls. Show all posts
Showing posts with label wonderfall girls. Show all posts

Wednesday, October 17, 2012

Pines

Or, "Why the New A Fine Frenzy Album Is Forever Endeared to Me Even Though I Have Not Yet Listened to It."


I WILL get this. Soon, hopefully.
Honestly, I think I need to start a running tally of what has become endeared to me this October, because I feel like it's going to be one of those seasons. Those ridiculous perfect storms of writing where stuff just starts popping left and right. Which I suppose for Wonderfall is fitting, because epiphanies are kind of magical in their own way. But, really now? First Lowe's and now a CD I haven't even heard. Which I want. Because A Fine Frenzy's stuff is like, "Magical Realism, The Music." I'm playing the first album right now, and "Borrowed Time" and "Rangers" are on my Wonderfall playlist.

Anyway, why Pines? This morning I was sitting at the dining room table, trying to refine Wonderfall's plot because I had fallen into one of my regular pitfalls: overcomplicating things. It wasn't that the story had too much going on, it was that it had too much going on for the tone I'm aiming for, so I was either trying to pare it down or reframe it. Things were going uncharacteristically well, actually - I had adjusted the plot so basically the same things were going on, but in a different context. I was working on character motivations, then - what Elias, Lorelei, and Connor each really wanted, and what the antagonist (ostensibly not a real villain this time) wanted. It was taking so long to come up with that I stopped thinking about it after a while, and moved on to other things.

Now, part of the problem that arises in the story is that Connor and the antagonist want close to the same thing, though not exactly. I knew what Connor wanted, but the antagonist's motives were still vague. I knew he or she wanted an event called "Wonderfall" to occur for a specific purpose, whereas Connor was just waiting for Wonderfall for the sake of it. The question was, what specific thing did the antagonist want Wonderfall for?

Later on, I got up to make toast, mulling it over, when it hit me. The thought process looked like this, though of course the details aren't really that simple. Um, SLIGHT VAGUE KINDA SPOILERS:



Haha, spoilers, yeah, I guess. A magical garden is in some way involved. But anyway, what the antagonist is going for versus what everyone else in the story wants just fit so perfectly with the tone. And then I just fell in love with the story all over again. Plus, I did want to keep the story a bit on the shorter side, by my standards, and the garden idea made a bunch of things fall into place.

*Sigh* I do love October. 


Tuesday, October 16, 2012

In Which I Discuss the Perils of Planning Stuff

Cut to October 31, 2011. I know what my plot is. I know who my characters are. I am ready to get stuff written. Planned stuff. The plot I've (kind of) slaved over for basically the whole month.

Then November 1st happened and all that kind of just melted and slithered down the drain as I barreled blindly forth with the rough equivalent of my plot's deformed half-sibling. I don't even remember for sure what the original plot entailed, but I'm pretty sure the title (Dark Horse) was the only thing that remained entirely intact.

This is the NaNoWriMo strain of plot ADD. Dozens of ideas flutter around my head all October, I stalwartly keep focus on one of them, and then some invisible force slams in on NaNo Eve and, well, "Goodbye, focus! It was nice seeing you! We'll have to do this again sometime! Like, next October!"

Now, frankly, I don't think that will happen this year. I'm all, like emotionally invested this time around. Wonderfall (which is based on my poems found here) is my new adopted child, and I love it, and it gives me seizures when I think too hard about it but I ignore those, eat some chocolate, and plan it anyway. There's this nifty article here in which, I kid you not, the Incredible Hulk totally curb-stomps the Three Act story structure in favor of Shakespeare's five acts, and I used it to draw Wonderfall into a modified six act version. It's the most outlining I've done in a year, and I'm going to do more.

See, this year I'm finally employing the Psycho Person Notebook technique, in which I stuff I comp book completely full with outlining and character bios and random writing resources I printed off the Internet. It's working wonders for me, truly. But there are still kinks to be worked out.

Like POINT OF VIEW. THE BANE OF MY EXISTENCE.

We do battle every year. I'm pretty sure I wrote an epic forum post about it last year and everything.

Anyway, Wonderfall has three protagonists: Elias, Connor, and Lorelei, the latter of which is our wonderfall girl. And if you hopped on over to Figment and read the poem, you know she doesn't stay long. Except, we still need to know what she's up to. So naturally, I think, well, we'll do third person limited - then we can go around to Eli and Connie and her and know what's what. Except that, when Elias (arguably the true main character) first burst into existence, it was in the form of a first person and pretty badass opening monologue-type thing. And Lore, bless her, had a very Lore-like second chapter too. But I can't get a handle on how Connor would sound in first person, I'm sketch about attempting two male point of view characters when I've never even done one for any length of time, and I'm frankly not a huge fan of rotating point of views to begin with.

So, I say, "OK, so third-person limited it is." Except I still kind of want to write Elias. I hear him talking. Only, I can't just write Elias, because then how on earth would he know what Connor and Lore were secretly getting themselves into. Grr.

And then, I'm still working on character motivations, which of their flaws to haunt them with, and all that good writerly stuff. I'm doing fine with that. I know Elias is going to be put on the spot for how he's always avoiding drama at the cost of ignoring important issues, and Connor's going to be selfish and ignore how he's been pretty distant lately and call Elias out on it. Stuff like that. It's just, depending on the point of view, certain things are going to be highlighted more than others.

Oh, the joys of NaNo planning. Now, I'm off to go find some rubber cement, because stick glue doesn't cut it when pasting things into a notebook.